Dhamar: A Profound Style of Indian Classical Music

Dhamar is a rich and ancient musical style deeply rooted in the traditions of Indian classical music. Known for its unique rhythmic structure, Dhamar offers music enthusiasts a chance to explore the depth and beauty of classical music.

Dhamar Style Of Singing

Dhamar, a distinctive song form, is typically sung in Dhamar Taal and often associated with the Holi festival, particularly the playful interactions between Radha, Krishna, and the Gopis. The style is marked by the use of Nom-Tom Alaap and rhythmic patterns akin to Dhrupad.

Dhamar Gayan Shaili – Dhamar Music

Rhythmic Patterns in Dhamar – Dhamar utilizes intricate rhythmic patterns like Dugun, Tigun, Chaugun, and Aard. These patterns are woven into the lyrics, showcasing the complexity and richness of the style.

Meend and Gamak in Dhamar – Meend (gliding between notes) and Gamak (oscillation of notes) are extensively used in Dhamar, enhancing the raga’s depth and emotional expression.

Preservation of Unique Identity – Unlike Khyal, Dhamar avoids certain note groupings similar to Khatke or Taan, maintaining its distinct identity. The use of Sargam in Dhamar is also unique compared to Khyal singing.

Seriousness in Dhamar – A sense of seriousness and solemnity pervades every aspect of Dhrupad and Dhamar, reflecting the profound nature of these styles.

Dhamar vs Hori: Understanding the Difference

While some scholars refer to Dhamar as Hori, it’s crucial to distinguish between the two. Holi and Hori are different song forms, and the slight pronunciation difference can confuse beginners. It is more appropriate to refer to this style as Dhamar.

Instrumental Accompaniment in Dhamar

Traditionally, Dhamar is accompanied by the Pakhawaj. In its absence, the Tabla may be used as an alternative.

Example of Dhamar in Raga Bhairav

“Aaj rasamate holi khele laal. Taari dai dai naachat gaavat sang brij baal.”

Theka: Ka Dhi Ta Dhi Ta | Dha – | Ga Ti Ta | Ti Ta Ta –